Wednesday, August 25, 2010
On Letting Be
Thanks to the Internet, I have some experiences that knock me down from time to time, things that used to drift slowly through postal mail, using headlines or obituaries clipped from papers in towns where significant people live. Sometimes, a person could never know something important about someone who might have been a relative, or a close friend, because the ties would break down and the news would never travel to that corner.
I used to receive letters and clippings from my mother. She would let me know of the death of a classmate or friend, or a teacher, or the engagement of a relative, then we would talk on the phone, and see each other because of the funeral, or the wedding.
My first bereavement experience online was of the man I thought I would marry once upon a time when I was very young. He was the sweetest boy, yet tortured and inwardly bent and broken so that he could only commune in nature, near-silence, walking the hills of his woods. He was an artist, and a musician, and at heart, a hermit. I became infatuated with him when we were in college and he was breaking up with a long-time girlfriend. We passed each other on the sidewalk, noticed each other, and began to ask others who we were.
I pursued him, and he allowed himself to be caught. Yet, when I began to make little departures for adventures (Bolivia, India, seminary, Mississippi ...), he was hurt and afraid. I wanted him to pursue me, but I had to go. I began to learn, I had to let him be.
He became to me like a bird, flightly and beautiful, always there in his Lookout Mountain woods, could be heard but not seen, somehow staying on the other side of the tree as I looked for him. Over time, I left him to his woods and songs; I let him be, and, as I let him be, I let him go and let my own life be. He would call from time to time, not without its exquisite pain in those moments.
I found my true love one day, or she found me; and one day became years and years, through changes and growing, and making a life together. She died in a freakish storm of devastation and crashing world. Brain death. Discontinued life support. Ashes. Shattered, I picked up pieces and kept on going, moving, becoming.
One day, in the midst of fresh grief, I thought I heard the call of that bird of my youth, when I entered a new wood in a new city. I saw a flicker of a feather escaping behind a tree on my new campus. My heart, at the time grieving the loss of my true love, skipped a little. I reached out over the net, to see if he could be found in his familiar wood. What I found silenced his call forever, scattered his feathers on the ground. I found his obituary.
The symmetry is cruel. This elusive bird of the deep woods died the same death as did my own true love. A missed diagnosis. A chest procedure. A botched bleed. An embolus to the brain. Brain death. Discontinued life support. A funeral. Ashes.
Later, in a confrontation of anger and shame, being cast out by my father, I explained, "You see, Dad? Either way, I am a widow. You will know how this feels one day. I hope then you will think of me, and understand."
Within two years, I lost my own true love and the elusive bird of my youth. I am now much older. This horrid symmetry still grips me in my depths, wracks me with tears, and will not let me be.
Over time, to function and to keep going, I have taken anti-depressants. As a result, I do not cry. I also lack high spirits. I stay quite level, but tend toward depression. I take adversity stoically. I have anger, I feel the blues, I feel happy, I have fun. I find deep inward joy in music and art, and working with my hands. I know, in my pathological intellectualizing (according to some) there is a grasping and holding on, a way of living in the past, letting this pain live on -- actually, it evolves, changes, becomes something else as I evolve, change, become someone else all the time, at least that is what I tell myself, and hope is true.
People tell me I have a disconnect between feeling and affective presentation when I tell my stories in settings ritualized and formalized for that purpose, telling and feeling, emoting, affect-ing. They say this as if I have a pathology that could be overcome. I must wonder: If I can I let this be, what do I care if others cannot?
This is my task: let it be.
Saturday, May 29, 2010
To Taos -- Maybe
Meanwhile, as Burns would have it, in his conversation with a field mouse, I have laid my best plans, but they predictably gang aft agley. A touch of anxiety stirs around the solar plexus, and I speak to it as if it were a person: "Calm down, it's all relative, and tomorrow will still be here one way or another."
Most recently, the new hubbie injured his hand, requiring therapy of some sort, so they could not haul out to Italy as originally planned. And, the hands are the living and the life of this happy couple. Injury would be disaster. So, travel to Taos was cancelled.
I began to make other plans, like going camping with the fam next week, writing in the mornings; working in the garden; replacing skins on the Airstream. Amazing how one's mind can transport through time, opening up possibilities, moving present to a future that does not exist.
Then, a few days ago, we're back on: the hand is not as bad as it seemed, and a honeymoon may still be do-able. The ticket still stands, so yes, I say, I can still go out to Taos!
The ticket is the only concrete future. Tomorrow is race day at the Indy 500. Traffic will be wild, and my flight is scheduled for 10:30 am, which means going to the track by maybe 8 am, or earlier, so R can get to the church on time. If she had a church in Speedway, she would not have church tomorrow :-) The plane will depart with me or without me. My mind sees both at the same time with equal valence.
Today is the day of decision, or is it?
Yes, my J-ness is challenged by their P-ness, and I wait ...
... and I wait ...
Wednesday, May 5, 2010
Genealogy Research and Accidents of Fate
[Recently, I became equally obsessed with a game on my iPhone: Tap Out. I worked the free version incessantly until I reached the end. I stopped talking to my family, except to draw them into the game to help me. Now, they are all working on Tap Out, but they won’t finish it as fast as I did because they have job and school schedules, and they go to bed religiously at 9:00 p.m. Losers. Slackers.]
Monday, March 22, 2010
David and Goliath and Healthcare*
In my opinion, the vitriol of the healthcare debate is all ideology and political money all around. Republicans in the pockets of the healthcare industry which includes insurance companies and hospital corporations (Goliath); Democrats in the pockets of the poor and under-represented, the same people Republicans want to make the whipping boy of any progress in social justice (David). (Apologies for an expedient eisegesis.)
The abortion scare is a perfect example. The abortion argument is, in disguise, a ploy based on elitism, spread abroad to repeat the fear-mongering of the Philistines, to bring the Israelites into submission, to enslave them and keep them poor.
The abortion scare is a language game, propaganda generated for the same reasons the Republicans always pile responsibility on the backs of the poor and persons of color who are marginalized by each and every Republican "cause" on the present platform. Ever since HIV appeared in the 1980s, a prime case study, Republicans have forced the health care system into its typical posture: suspicion of and scapegoating of the poor and persons of color. Poverty; public education; civic development -- the same coded language and inaction kill millions of faceless people.
The Tea Party members and even a (probably Republican) member of the house played their hand: race and phobia of the poor couched in the fear language designed to dupe well-meaning good people. I appeal to the example of Jesus: the poor were his #1 concern, not the political and fiscal hegemony "scare" of the Pharisees. The Republicans will have to figure out another strategy. Their "tell" in the past weekend has blown their cover.
Democrats, my David trope, likewise, have another monster on the way: the challenge to lead toward the implementation of what could be the most monumental step of progress in this century (spoken by one who will most likely only see the first 1/3 or so of it, actuarially speaking). David -- keep your eye on the monster.
Nota bene: These arguments are so divisive because they are designed to hit us where we feel rather than where we think. The abortion argument is an argument of the amygdala, not the hippocampus. Or is it the other way around? The emotional hit in the gut by the abortion argument is meant to bypass the brain and go straight to the ballot box and the checkbook. Don't fall for it!
*I'm in a debate on Facebook with a man I first met when he was a seminarian. Now he's a minister, and I think he's a wonderful person.
Image is from http://www.biblepicturegallery.com/free/screen-sized%20pictures.htm
Saturday, March 20, 2010
My Very Personal $.02 for Health Care Reform and Why I Wrote to my Congressman, André Carson
Saturday, March 13, 2010
The Story in the Star
Friday, March 12, 2010
... and what about the prom?
Proms and coming out balls were (are?) for putting people of the same education and social class together to make couples, to make families, to make society. That's why schools once were in neighborhoods. Society girl rituals are about presenting young ladies to the world, to say, "I'm ready -- I will graduate, I'm fertile, come and court me." The more elite clubs are about social engineering sharpened to a point. And, as the Baptists said back then, everyone knows if you allow teenagers to have sex before marriage, it could lead to dancing. No one thinks overtly, out loud about the design of social rituals. It's all about birds of a feather. That's the thinking of the good ol' days -- the Old South.
School Days: Class of '75
I have five or six classmates on Facebook, some of whom I knew since elementary school. The benefit/burden of living in a small town is that everyone knows everyone -- sort of.
It's not so small anymore, and, even back then, we always seemed to have newcomers.
Athens would not like to see itself as a bedroom community to any other city, but, in my memory, that was one of the interesting things about the town. The Huntsville industries brought a lot of "new kids" to town, children of people who worked in the science industries. In my mind, the most notable industry was the Space and Rocket industry, led by Werner von Braun, who led the development of the Saturn rocket, that made possible JFK's vision to land earthlings on the moon. Our 10-year-old is fixin' to go to Space Camp with her school this month, at the Space and Rocket Center.
Huntsville was the place to go as a teenager, if you wanted a nice date to a movie and a restaurant (The Fog Cutter, Red Lobster, -- you know, the fancy places). Athens had no movie theater at the time, at least not with new releases. I did work in the then-new Athens Cinema in my senior year, I opened the building, turned on the big projector, and started the popcorn machine -- all processes that took a long time.
I have been thinking about Athens High School lately because of the recent acquaintance with "the other McWilliamses" of Limestone County. How much I do not know of my own heritage ... Talking with Mikal Saahir and telling others about the story of our meeting (see earlier posts) have peeled back layers of memory and associations -- and the lack of them.
In 1975, our class graduated with a history of (not sure about this) five years of desegregation. I recall that we attended the old Athens High School when the Middle School was created around the same time, and I was in the 8th grade. Those who had attended 6th grade at Athens Elementary School spent 7th grade in another school for one year, while arrangements were made for the creation of the Middle School. [Memory is notoriously unreliable without documentation, so I'm not really sure about this chronology.]
By the time 8th grade opened up at the Middle School, desegregation had happened. I remember being led into the hallway on the first day of school, each class with its white students, lined up to greet our new black classmates. The air was charged with anxiety on both sides of the hall.
How did that desegregation work that year, from a system perspective? Only later in life did I begin to think about what my new classmates lost in desegregation. Trinity School was a beloved place for a lot of people, yet it was closed down and left to deteriorate. I recall driving through "the black section of town" and seeing the weeds and vines crawling up the walls and roof. Or do I? I think I remember that.
Instead of integrating both Trinity and Athens High, Trinity was closed, and, eventually, a new high school was built on the north side of town. This new school was located on Highway 31, not far south of the junction with I-65.
As I moved on through school, in those high school years, there were incidents of violence, especially at football games, it seems to me. I was in the band, and as far as I knew, or was concerned then, the band was a place of discipline and order. Mr. Bacon and Mr. Havely ran a tight ship, and music kept us all focused. Band was my joy in high school, along with my church youth group, the UMYF at the First United Methodist Church, and, of course, my horses.
For reasons I came to understand much later in my life, high school was not a happy time for me. I felt that I did not fit in. I was a tomboy; I was not particularly popular; I didn't date much, but had a series of boyfriends. When I was a senior, I was rushed into the sorority that I thought would make my social life complete. But, I quit because it interfered too much with my horse time. [Kids are so cruel to each other. Rumors and lies drifted back to me much later, but I was too far gone to care.] Life at home was fractious. Interracial dis-harmony, Vietnam, Watergate all created a -- here comes the cliché: turbulent time in which to be a teenager. I could hardly wait to get away and go to college.
When I did go away, I kept on going. Now, I'm here in Indianapolis, with my partner, a woman, her 10 year old daughter, our three dogs, and one cat, and surrounded by inlaws/outlaws I dearly love -- and, here, it's mutual and I feel so very normal. My family of origin, however, is painfully broken. My dear dad, full of bitterness and grief, still lives in Athens. My remaining brother is in Nashville, frequently homeless (see earlier poem). Robert's wife and kids live in Florida, and his teenage daughter is doing her best to find him in herself and her friends.
I had to move to Indianapolis to meet up with some wonderful people from Limestone County, with whom I share a history that is older than Athens High School. They mention names to me of their relatives, classmates and schoolmates with whom I shared nothing in common back then. I wish I could hear some stories of both the Trinity and Athens Middle and High kids who gained something and lost something back then.
Monday, March 8, 2010
Reflections at One Year
Tonight, I had a conversation with reporter Brandon Perry of the Indianapolis Recorder, the weekly paper of the African American community of Indianapolis (and beyond). Mr. Perry's article will be the fourth publication*, within two months, of the story of the meeting between Imam Mikal Saahir and me, one year ago, March 8, 2009.
One year later, I still find myself shaking my head over the unlikelihood of that meeting a year ago. Mr. Perry asked me what I would like for people to take away from our story. After a lot of rambling on, with some of my academic thoughts and personal reflections, I settled on this thought:
So much has happened since 1863, when the Emancipation Proclamation went into effect in North Alabama and Southern Tennessee, when my great-great-grandfather, James LaFayette McWilliams freed from slavery the nine-year-old George McWilliams. Let me break that down, in case it isn't clear. In 1863, the Emancipation Proclamation was enforced for Jim Fate McWilliams and other slave owners in the Tennessee Valley region. I do not for one moment think George McWilliams would have been freed from slavery any other way. There was no magnanimity in the action of Jim Fate McWilliams.
Now, on the one year mark, I have a lot more questions than I did on that day Mikal and I met for the first time. Firstly, why or how did his family come to know and hold and cherish this story of emancipation? I had no idea of this story, and could have lived out my remaining days without knowing it, had events not conspired (a G-d thing?) to bring us together in Indianapolis, IN, far away from Elkmont and Athens, in Limestone County, Alabama.
Secondly, what happened to little 9-year-old George on that day in 1863? He had a brother, bought by the McWilliams family at the same time, some time in their young childhoods. A third brother was bought by the Yarbrough family. What happened to him? Where did little George and his brother live? Who took care of these children? Were there other slaves in the McWilliams estate at the time? I know, from the photos gathered by MIkal's family, that George McWilliams continued to live on the McWilliams property, living in the cabin that was the slave quarters, at least according to tradition. Were there others? Did any adults, taking the McWilliams name, leave the estate and venture away from the others?
Finally, for today, how did Jim Fate McWilliams take the news of the enforcement of the E. P. back in 1863? He would have been a man in his 30s. What changed in his household, if anything did, because of the legal end to slavery?
I have none of these stories. The cloudy past of my father's "people," including the black McWilliamses, will most likely obscure this story for me for a long time. Now I have some questions for me.
What will I do with this information?
Why was my initial reaction to Mikal's introduction into my past a response from a place of guilt and shame? What is in this story that affects my ego to such an extent? Sure, it's all in the past and I can't influence it in any way. Seana said, on our vacation with friends in México last week, that I could work out my reparations with her. That was funny, a little twist on the question about, when will we ever be finished paying for the sins of the past? When will the learning be complete? Dear g-ds: if racism is over, then what kind of misery are we, in the majority, willing to continue to support in our cities? If racism is over, I need someone to explain to me what to do about this stain upon my name? If racism is over, what happened to the revolution? I missed it entirely.
What is the point of this story?
I told Brandon Perry that this story brings my situation as a white Southerner -- who witnessed the dismantling of Jim Crow and the growth of Civil Rights and my experiences in consciousness-raising efforts -- out to a place of new scrutiny, to be sure. I have my response, and it is my response. I do not speak for anyone else as I live through this awakening.
One of the main points I take away from this encounter and its ongoing revelations is a repetition of something I learned from Maya Angelou, Oprah Winfrey, and Henry Louis Gates. Human beings are 99.99% exactly the same on the chromosomal/genetic level. Without the statistically insignificant differences contained in the 1/100th of one percent amount of difference that might emerge as skin color, hair, eyes, etc., we are all the same. What violence and evil we have made of that 1/100th.
Another point is the closeness we share, unknowingly, with others around us. How amazing: Mikal Saahir and I, two McWilliamses with roots from the same county, met on a Sunday in Indianapolis, IN. Indianapolis: his home town for life, my new home since three years ago.
I gave up a while ago my firm grip on the personal G-d. Too much bad stuff happened all in a row, and my faith was not much help. Still, I am drawn to community, to people who gather in G-d's name. I am so glad that there was a place that Sunday morning, where people gathered to reflect upon the Spiritual DNA of the children of Sarah and Abraham.
What to make, then, of the meeting, that it happened at all? What's the point? Where will this journey take us from here? It is a small world -- we are all interconnected -- what happens to one affects all -- a rising tide lifts all boats -- I am sorry -- I forgive you -- these phrases are so common because theses kinds of little miracles happen so often.
What now? I am left with a feeling of Mystery, with a capital M, trembling before a grace that is beyond me, that blesses me in a particular way that feels very personal. Shall I take the Mystery personally?
*other publications:
Indianapolis Star
My corrections to the Star article are below on February 20, 2010
Focolare's Living City Magazine
Muslim Journal (article not posted online/essentially the same as Focolare's version)
Saturday, February 20, 2010
IndyStar Article: Bound by the Past
Image from Indianapolis Star article, credit goes to Stephen Beard and Robert King of the Star.
Thank you, Bobby King! You did a great job with a story of very tangled-up details. The front page of the Star! You forgot to mention that when we talked on Thursday, you sneaky reporter.
TTFN
BOUND BY THE PAST
By Robert King on February 20, 2010
Making the connection
Accepting the past
Thursday, January 7, 2010
Prose Poem: Unruly Tenants
These people rented spaces in a massive old house.
The landlady was cranky. She called a meeting of all the tenants.
Was I an observer or one of the tenants? The dream world is not always specific about this assignment.
The landlady revealed the tennis scoreboard she had set up in the lobby. Each tenant's name appeared in the vertical column to the left, and out to the right of the names, horizontally, were the numbers of the rented spaces and the contracts they made to renovate the space. So far, nobody was winning.
The landlady was furious with everyone. No one was keeping to the terms of the contracts.
The renters were:
- a dancer
- a philosopher
- a chef
- a writer
- a healer
- a teacher
- too busy
- other priorities took over
- the work was too expensive
- or too hard
- or needed more skill
Caught in the landlady's headlights, each renter was wide-eyed with terror. There was no place else to go. There was nothing else to be done. Time's up -- get the work done, or you are out of here.
Later, I went to a party at the dancer's house. He showed me how to get to the Caribbean ocean through a tube. We swam there, or the current took us there. We landed on a beach.
An Afro-Caribbean man on the beach opened a large scallop shell and showed me how to feed abundantly on the fruits of the sea there on the beach. He also told me that if I came across a grouper as long as his arm, he would pay me $100 for it. {Yeah, I know -- sometimes seafood is just ... seafood.}
According to the dancer, whenever the going got too stressful in the house, we were free to take the plunge and find the ocean and the beach. The tube is always open, and you can breathe underwater. Go there any time.
I could tell: the landlady really wanted everyone to get the jobs done. She knew: if each tenant fulfilled her/his contract, the massive house would be fabulous. She wanted everyone to stay and to complete the work.
Of course, this is all a metaphor of the Self, and each character, location, and talent is some aspect of mySelf.
Monday, November 23, 2009
I have this Thirst for Poems
I have this thirst for poems. Mary Oliver. Robert Frost. Anyone, really, who has just the right blend of the concrete embodied reality of the little horse standing by the snowy wood, or the soft animal body of the goose flying overhead, and the mystical tending toward the universal desires.
Attending to this thirst, I remembered that a book by Donald Hall, Life Work, was on my shelf. And, seeking more about form, an unopened Mary Oliver, A Poetry Handbook, on poetry's forms, a text for one who aspires to write poems -- like me. Earlier in the month, I read another wonderful text about writing, Reading like a Writer, by Francine Prose.
I watched a DVD movie, or should I say film, Local Color, a story of a young artist who wanted to learn from an old master. This film brought images and thirst together.
Rachel brought home a volume of poems assembled by Garrison Kiellor, Good Poems for Hard Times. In that volume, I found a form that I could imitate, to tell the story of getting fired. I still don’t know what I am going to do. But, I sat down and wrote the poem, because I knew that I would rather write than die. Getting fired made me feel a way of death, not of suicide, but some soul-killing thing that wanted to eat away at my heart. Writing the poem gave life to me and defended my soul from death.
Hall’s Life Work came into my hands as a bequest, a gift to my late partner, Nancy, in 1993, from our friend Jane, who loved books and poetry. Jane introduced us to Laurie R. King, still my idea of the best of the kind of fiction I want with me on a desert island.
Life Work I picked up some time after Nancy’s death, when I was wondering what would come next, as I wrote in a journal and talked into a micro-cassette recorder, talking to Nancy and missing her. I made some notes in the margins in that earlier reading. But I did not finish. I could tell that things were not going to go well for Donald, and I just could not deal with that at that time in my life.
As he recollected his grandfather's farming life, and his cancer appeared, I could not continue to travel with Donald. Nancy’s cancer was too close yet. So, I put the book on my shelf, with other poetry.
I read thirstily through the Keillor volume, but like a kingfisher watching for the shine of one fish at a time, finding the poets I knew well first. I put the volume down and picked Life Work up again.
I had to press through Life Work. It is a lovely little book, but it is not light reading. (My ordination mentor reminds me that I am very intense, so perhaps anything would be heavy reading for me.) I soldiered on to the end, as Donald began his chemotherapy, as he and Jane Kenyon held each other and wept in their anticipation of his dying.
When I finished Life Work, I picked up the Kiellor volume again and kingfished for Donald’s poems. I found Donald’s poem about Jane Kenyon’s death. What a sad irony and symmetry, that she died before he could die. She left him. His poems about her death, the theme of his book Without, express his “deep grief and fury” or so said one biographer.
I know that grief and that fury.
The partner of a colleague took her life last week. I wrote a poem to try to defend my senses against, again, death. How wonderful, how helpful to me, that I can turn to Donald Hall in his loss of Jane Kenyon, and to Mary Oliver in her loss of Molly Malone Cook (Thirst; Our World). Others have sought through poems to defend against death, to rage on Heaven and drag the clanging metal cups of their earth-prison cell against the bars and make themselves heard, to get. it. out. C. S. Lewis used his craft. Hemingway used his.
How many times in my own experience have I found myself overswept by a memory of a specific grief, and have been told to “let it go”? These phrases are so common because death is. Eventually, for some people, these phrases go on to become helpful; that’s why the very people who could not hear them when they were tossed out in the height of grief go on to say them to the other sufferers in the height of their grief. These phrases sell a lot of shiny and frilly commercial greeting cards. But, please, there must be a time for silence. Can a card contain silence in a kind of large blank space, with something at the very bottom, or centered in the middle, like "I am so sorry" or "I miss her, too." or "I do not want you to be alone. Come."
Who gets to decide when you let go? What is the deadline after which your grief becomes a pathology? I'll tell you one: some arrogant bastard in an office with framed diplomas on the wall. When you've exhausted your curses, against the insensitive types, and the Pollyannas and the Nietzsches (what does not kill you makes your stronger), then, I say, grab your own pen and paper and write it all down. Let it flow.
Where are the listeners to the stories of those who grieve? The listeners. Ones who listen. Listen. Here is a holy act, an act of the apostles of love, the ones who sit with and hear. That's how it is, reading Oliver's Thirst. Here are poems that give a glimpse of what it was like for her to lose her. And, maybe that helps, somehow, hearing how another tells it, this experience of losing and grieving.
As I read through the poem, Last Days, (Hall) I felt again that desolation of loss. And now, I await the sound of the garage door opening and the door swinging in, and the chatter of the new family, the one I love and her little shadow, the child, whom I also love, but so differently. I love this little one like a custodian of a work of fragile art, belonging not to me, but to others for whom she is a priceless treasure, moving through this world here on a very bumpy path. This woman I love and her child are out playing basketball, boisterous and oblivious to the passage of each present moment and their proximity to mortality. And that is just how it should be. We know better than to stare into the sun. Besides, who would want to? We prefer to stare at what the sun makes possible: life. Our life together, here.
What more universal theme than death could there possibly be for poetry? How does anyone survive without it? Prose is just too facile, too prone to preaching. (Like now.) A poem can contain it all, from sorrow to fury. Just writing about it now feels shallow, like trying to find the perfect prize for my beloved in WalMart. As if some plastic imitation will do.
This reflection ends in listening. And, maybe a small pretty glass of something amber-colored, a fine Central American rum.